WE never said farewell, nor even looked Our last upon each other, for no sign Was made when we the linkèd chain unhooked And broke the level line.
And here we dwell together, side by side, Our places fixed for life upon the chart. Two islands that the roaring seas divide Are not more far apart.
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📖 About this poem
This is a small, precise ache of a poem, only two stanzas long, built around a paradox: two people who once shared a life can drift into total estrangement without ever having a scene that marked it. No goodbye, no last look, just an "unhooking" so quiet neither noticed it happening. Coleridge's genius is in that verb — chains and links suggest something mechanical and cold, the opposite of romantic rupture. Then comes the sharper image: two people still living side by side, "fixed for life upon the chart," yet as distant as islands split by roaring seas. The shift from domestic closeness to oceanic isolation in four lines is devastating. The music is plain and hymn-like, almost flat, which suits the numbness being described. It lands today because it names something modern relationships still fear most: not dramatic heartbreak, but quiet, undeclared distance that settles in while you're still sharing the same address.
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