Before the winter morn, Before the earliest cock crow, Jesus Christ was born: Born in a stable, Cradled in a manger, In the world his hands had made Born a stranger.
Priest and king lay fast asleep In Jerusalem; Young and old lay fast asleep In crowded Bethlehem; Saint and angel, ox and ass, Kept a watch together Before the Christmas daybreak In the winter weather.
Jesus on his mother's breast In the stable cold, Spotless lamb of God was he, Shepherd of the fold: Let us kneel with Mary maid, With Joseph bent and hoary, With saint and angel, ox and ass, To hail the King of Glory.
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📖 About this poem
Christina Rossetti writes this one quietly, almost like a lullaby being hummed at the edge of a crib. Nothing here is grand or triumphant in the way carols often are; instead the whole world is asleep — priests, kings, the crowded town — while something enormous happens unnoticed. That stillness is the poem's real subject. The short lines and simple rhymes give it a rocking, hushed rhythm, fitting for a poem about a baby and a manger. The most striking image is the smallest one: "ox and ass" keeping watch alongside saints and angels, as if holiness doesn't distinguish between grand and humble witnesses. It still lands today because it strips Christmas down to tenderness and cold and quiet attention, reminding readers that wonder often arrives while everyone else is asleep, and that kneeling down, not looking up, is sometimes how you meet it.
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