Does your hero need to get back in time to take a test and makes a sprint across the colony to get there? Well, rather than forcing the reader to read a "sprint through town" scene whose outcome is predictable, consider just having the character burst into the test room.
The reason this works is momentum: readers race ahead to outcomes, and predictable middle beats feel like waiting rooms. If we know the hero will make it (or won't), the sprint itself carries no real tension, only footsteps. Cutting straight to the doorway respects the reader's intelligence and keeps the scene's energy where the stakes actually live.
Try it this way: instead of "She ran past the bakery, lungs burning, dodging cart wheels," open with her palm hitting the classroom door, chest heaving, ink still wet on her hand from a note she forgot to read. The run is implied, not narrated.
The caution: don't cut every transition this way, or your story turns into disconnected snapshots. Save the jump-cut for moments where the outcome is certain — not for scenes where the journey itself holds surprise, danger, or character revelation.
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