Be generous and loving with adjectives and adverbs. These words give specificity to the narrative; they make it vibrant.
The reason this works is that nouns and verbs give a reader the skeleton of a scene, but adjectives and adverbs give it a pulse. "She walked into the kitchen" is information. "She shuffled wearily into the cluttered kitchen" is a person, a mood, a whole morning. Specificity invites the reader to see instead of just process, and seeing is what makes writing memorable.
Consider the difference between "he closed the door" and "he closed the door gently, almost apologetically." That one small addition tells you about a relationship, a history, a temperament, all in four words.
The caution: this is seasoning, not the meal. Stack too many modifiers and the sentence buckles under its own decoration, and the reader stops picturing anything at all. Choose the one true word over three approximate ones.
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