Try introducing a character through the world they live in. Showing the castle they call home, the fields they tend, etc. To give us a sense of character before we meet him.
— Fantasy Fiction Formula
The reason this works is that setting carries assumptions a reader absorbs before judgment kicks in. A castle with cracked battlements and a garden gone to weeds tells you about neglect or hardship before anyone speaks a word of dialogue. You arrive already leaning a certain way about who lives there, which makes the actual introduction land faster and deeper, since you're confirming a feeling rather than building one from scratch.
Say you open on a lighthouse with its lamp unlit for months, salt crusting the windows, a single chair facing the sea. We meet the keeper already understanding his waiting, his grief, his stubbornness.
The caution: don't let the scenery do all the work forever. Eventually the character must act in ways that surprise that world, or they risk becoming furniture themselves.
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